Файл	Ном	Сабт карда шуд
Қавизода А.	THE MUSICALTY OF GULRUKHSOR	25

Authors:  Qavizoda Аnisa, doctorant PhD student under the SEI “KhSU named after acad. B. Gafurov” (Tajikistan, Khujand),E-mail:аThis email address is being protected from spambots. You need JavaScript enabled to view it.

JOURNAL NUMBER: 4(77). YEAR OF ISSUE: 2023.  LANGUAGE OF THE ARTICLE: Tajik

 ANNOTATION

The article is devoted to the study of issues of the metric system in the poetry of Gulrukhsor. The author's research is based on the traditional Persian-Tajik genre of ghazal. The study found that out of 14 sizes of the Persian-Tajik aruza, 8 sizes and more than 40 different sizes of khazaj, ramal, rajaz, muzare, khafif, mujtass, muktazab and munsare were used in Gulrukhsor. The article defines the number of sizes used as a percent.  According to the chart presented, ramal is the most common size of gazelle, of the 134 gazelles in Divan, about 20 percent are ramal. The author comes to the conclusion that it is the ramal that contributes to the euphony of Gulrukhsor’s verses. Artistic means of expression: repetition, tajnis, alliteration, aks also have an influence on the musicality of Gulrukhsor poetry. The author comes to the conclusion that a number of poetic meters, rhyme and reef, as well as artistic means of expression have a beneficial effect not only on the melody of the verse, but also demonstrate the poet’s skill.

KEY WORDS

fGulrukhsor, rhyme, redif, music, size, metric, ghazal, ramal, hazaj

• Prev
• Next