Файл	Ном	Сабт карда шуд
Тоҷибоев Ш.Ғ.	GHAZAL IN MASNAVI COMPOSITION OF THE XIV AND FIRST HALF OF THE XV CENTURIES	10

Authors: Tojiboev  Sharifjon  Gaibulloevich, candidate of philological  sciences,  Associate  Professor  of Tajik classic literature the department of  SEI  “KSU  named  after acad. B.Gafurov” (Tajikistan, Khujand)

JOURNAL NUMBER: 3(76). YEAR OF ISSUE: 2023.  LANGUAGE OF THE ARTICLE: Tajik

 ANNOTATION

The article is devoted to the consideration of the issue of bringing the gazelle into the form of masnavi of the 14th and first half of the 15th centuries of Persian-Tajik literature. It is noted that, based on the innovations of the poets who composed masnavi, in the 14th and first half of the 15th centuries the traditional framework of literary genres was violated, there was an unprecedented inclusion of relatively small lyrical genres of poetry, such as fard, rubai, kit'a, ghazal, into the composition of middle genres , as Masnavi, as a result of which a kind of synthesis occurred. The poets of the research period who wrote masnavi, such as Awhadi Maroghai, Salman Sowaji, Khoju Kirmani, Kotibi Nishopuri, Imadi Fakeh, Ubaid Zokoni, Rukniddin Soyini Simnani, Ibn Imad, Ibn Yamin, Ibn Nasuh Shirazi, Miri Kirmani and others, cited in their masnavi from one to fifty ghazals in combination with the metric of a masnavi poem. All ghazals in Masnavi are related to the content of the poems, since the plot line or semantic sequence of Masnavi passes through them, they increase the beauty and attractiveness of the poet’s words, and enhance the architectonics of Masnavi poems. It has been proven that until the 14th century, the ghazal was observed only as part of love and romantic poems, but in the 14th and first half of the 15th centuries it penetrated into the structure of didactical and mystical masnavi.

KEY WORDS

masnavi, ghazal, synthesis of genres, relationship between ghazal and masnavi, innovation, love and romantic poems, educational and mystical poems

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