Файл	Ном	Сабт карда шуд
Тоҷибоев Ш.Ғ.	STRUCTURE AND CONTENTS OF IBN YAMIN FARYUMADI'S MASNAVIS	18

Authors:  Tojiboev  Sharifjon  Gaibulloevich,  candidate  of philological  sciences,  Associate  Professor  of  the department  of  Tajik  classic literature  under  the SEI  “KhSU  named  after  acad.B.Gafurov”(Tajikistan, Khujand)

JOURNAL NUMBER: 1(74).    YEAR OF ISSUE: 2023.    LANGUAGE OF THE ARTICLE: Tajik

ANNOTATION

The article is devoted to the review of the structure and content of Ibn Yamin Faryumadi's masnavis. It is emphasized that Ibn Yamin, being a master of the genre of qi’ta in Persian and Tajik literature, also skillfully wrote poems in the masnavi genre. Ibn Yamin's masnavis belong to the group of very short masnavis of Persian-Tajik literature in terms of volume, and cover from 3 to 293 baits. They are different in terms of theme, content and poetic metrics, and they are mainly written on mystical themes, divine love ("Majlisafruz"), and admonitions. Ibn Yamin's innovation in Persian-Tajik poetry is most evident in his "Kornama", which is notable in terms of its structure, content, and narration of the ghazal in the composition of masnavi. Some of the poet's masnavis ("Chahor pandi Anushervan", "Anushervan va mobadan") were written following Firdawsi's "Shahnama". Ibn Yamin's masnavis, like his other poems, are fluent and free of exaggeration. They are close to the Khurasan style, and they influenced the development of the general flow of Persian-Tajik masnavis in the XIV century.

KEY WORDS

masnevi, Ibn Yamin, «Kornoma”, “Majlisafruz”, mysticism, love, structure, content

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