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PSEUDONYM AND ITS VARIATIONS IN THE GAZELS OF QASIM ANVOR

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Authors: Saidov Ismoil Kholmakhmadovich, Doctoral student(Phd) - Department of Tajik classical literature of the SEI “KhSU named after аcad.B. Gafurov”(Tajikistan, Khujand)

JOURNAL NUMBER: 4(73). YEAR OF ISSUE2022.  LANGUAGE OF THE ARTICLE: Tajik

 

 ANNOTATION

The article is devoted to the consideration of the pseudonym and its use in the gazelles of the poet of the XIV-XV centuries. Qasim Anvor (757/1356–837/1433). The introduction considers the historical formation of a pseudonym in poetic genres, the views of researchers related to its development and improvement, and also discusses its choice, method of use, variation, place of a pseudonym, the degree of its use in the ghazals of early poets. When writing the article, the author mainly used the comparative statistical method and researched this topic based on it. The author examined the place, reason and extent of the use of pseudonyms in the poet's ghazals and emphasized that the poet used two types of pseudonyms in his ghazals - Qasim and Qasimi. According to the results of the study, it was found that 99.5% of the poet's gazels were written with a alias (tahallus). It is concluded that Qasim Anvor fully followed the composition of this type of classical Persian-Tajik poetry when creating a ghazal, and in some cases showed innovation in the use of alias.

KEY WORDS

Qasim Anvor, “Qulliyat”, ghazal, qasida, pseudonym, gurezgoh (transition from one part of the qasida – nasib to another part of it – madh), beit tahallus, variation of the pseudonym