Файл	Ном	Сабт карда шуд
15.Таваккалов Ҳ.С.	MUSICAL PRAISE AS A CULTURAL HERITAGE AND ITS RELATION TO CLASSICAL POETRY	35

Authors: Tavakkalov Haydarmamad Sultonmamadovich, сandidate of philological sciences, Associate Professor of the department of literature under Khorog State University named after M. Nazarshoev (Tajikistan, Khorog),E-mail: haydar 6060 @ mail.ru

JOURNAL NUMBER: 4(73). YEAR OF ISSUE: 2022.  LANGUAGE OF THE ARTICLE: Tajik

 ANNOTATION

The modern world studies the cultural traditions of different peoples, which is based on spiritual intercultural relationships. It should be noted that throughout their lives, people have striven to observe traditions that have national and moral values, which are revered to this day. In this regard, the modern world with its rapid evolution and changes focused us to benefit more from our national values. Panagric  singing is one of the spiritual and national cultural traditions of the inhabitants of Badakhshan. Madhya-religious poetry is usually performed at Friday evening events to welcome and celebrate important moral-religious events: the opening of shrines, honoring the memory of the dead and mourning them, etc. In this article, the author expresses important considerations regarding the place of religious panagric chants in the spiritual and cultural life of the inhabitants of Badakhshan, points out their connection with Tajik classical poetry. It is emphasized that the content and eloquence of the Tajik-Persian poetry became one of the reasons for strengthening the position and status of the Madhya tradition among the people.

KEY WORDS

revival, religious-panigric singing, classical poetry, Persian-Tajik literature, cultural heritage, upper world, tradition, tolerance, pluralism, funeral, identity, spiritual music, balance, melody

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