Файл	Ном	Сабт карда шуд
Махмудзода О.Б.	THE POSITION OF RHYME IN NAZIR NISHOPUR`S GHAZALS	45

Authors:Mahmudzoda  Obidjoni  Beknazar,  candidate  of philological  sciences,  lecturer  of  the  department  of theory  and  history  of  literature  under  the  Tajik  State Pedagogical University named after S. Aini (Tajikistan, Dushanbe)

JOURNAL NUMBER: 2(71). YEAR OF ISSUE: 2022.  LANGUAGE OF THE ARTICLE: Tajik

 ANNOTATION

The article dwells on the position of rhyme in Nazir Nishopur`s ghazals. In the course of the study the author canvasses theoretical issues beset with rhyme and its place in poetry the fact that rhyme being recognized as one of the main pillars of traditional poetry by literary scholars. While considering the first discussions particular attention is paid to the place of rhyme in the context of imitating to the style of the previous speakers based on which it is clear that Nazir while following the past poets` ghazals continues the most important method of their work in rhyme creation. The relevant refinement leads to the former as well. At the same time, the use of other words, repetition of rhymes and their semantic evolution as one of the important peculiarities of the Indian style, as well as poetic content. From the consideration and research of the subject, the author of the article comes to the conclusion that Nazir alongside with the use of different types of rhyme made an endeavor to conduct experiment with the creation of rhymes by using words that are less in the position of this pillar of poetry, which in general makes the poet`s speech. comment.

KEY WORDS

Nazir, Indian Persian literature, ghazal, rhyme, absolute rhyme, inner rhyme, repetition of rhyme, semantics, rhyme checking

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