Файл	Ном	Сабт карда шуд
Олимова Ш.Б.	REFLECTION ON BISATI SAMARKANDI`s POETIC MASTERSHIP (on the example of literary arts usage)	42

Authors: Olimova Shoira Bobokhojayevna, doctoral student (PhD) on the  department of classical literature under the SEI “KhSU named after acad. B.Gafurov” (Tаjikistan, Khujand)

JOURNAL NUMBER: 2(67). YEAR OF ISSUE: 2021.LANGUAGE OF THE ARTICLE: Tajik

ANNOTATION

The author of the article substantiates the reason and significance of the study beset with the relevant topic. She canvasses the of Bisati Samarkandi`s similituded mastership in the first part. Proceeding from this consideration, the author made an endeavor to clarify the poet`s skills (mastership) in similarities types usage, such as clear, closures. Adducing the result of an analysis the author determines that Mavlono Bisoti is considered to be a master of similarities. The author briefly looks at the use of dictates (talmekh) in another part of the article. The study of usage of similes (tamsil) in Bisati Samarkandi`s poetry is the final part of the article. In a nutshell, it is underscored that in the poet`s work in addition to the above, other literary arts, such as assimilation, ihom, (iltifot), hyperbole, etc. are found in abundance and require separate study, on the whole.

KEY WORDS

Bisati, art, artistry, similarity/allegory, indication, hyperbole, create meaning/production of meaning

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