Файл	Ном	Сабт карда шуд
Ҳакимов С.Т.	ARTISTRY AND ITS PLACE IN IMAM HIRAVI'S CREATIVE MASTERSHIP	21

Authors: Hakimov Sadullo Tagaimurodov, senior lecturer of the department of Tajik literature under BSU named after Nosiri Khusrav

JOURNAL NUMBER: 1(66). YEAR OF ISSUE: 2021.LANGUAGE OF THE ARTICLE: Tajik

ANNOTATION

The article dwells on one of the actual problems beset with imaginative literature, i.e. the artistic word, before evaluating the core theme designing on the premise of theoretical views of literary critics regarding the essence of artistic techniques, briefly focuses on their linguistic and semantic classification. Considering artistry on a par with the meaning and authentic elements of fiction, the author of the article lays emphasis upon the idea that the main element of turning everything written into literature is an artistic technique. In the sequel, the researcher states that the interest of writers in techniques in Persian-Tajik literature begins in the XI-th century and gradually reaches its development in the XIII-th century. Imam Hiravi who was a representative of that era, could not leave the artistic presentation, especially in qasids, without influence, because of his sufficient knowledge of the artistic techniques of Arabic-Persian literature demonstrating his creative power and literary mastership. In this regard, the relevant artist of words uses various techniques to make a greater impact on his readers

KEY WORDS

artistry, meaning, word, sound, music, ratio, discoveries, lovers of techniques, simple presentation

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