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Содиқова Р.А.	STYLE AND ARTISTIC DETAILS OF "MIRSAD-UL-IBAD" BY NAJMIDDIN ROZI	28

Authors: Sodiqova Rukhanges  Abdusamadovna, candidate of Science in Philology, associate professor of English Language Department, Khujand State University named  after  acad.B.Gafurov (Tajikistan, Khujand), E-mail:This email address is being protected from spambots. You need JavaScript enabled to view it.

JOURNAL NUMBER: 4(77). YEAR OF ISSUE: 2023.  LANGUAGE OF THE ARTICLE: Tajik

 ANNOTATION

This article concerns with the stylistic and artistic features of Najmiddin Razi’s "Mirsad-ul-Ibad". It is mentioned as one of the most popular works of Tajik Persian mystical creations, written in the thirteenth century AD or in other words, in the era of Mongol invasion. The book of Najmiddin Razi, like all the works of mystics, is inspired by the style of speech of the era, that is, painted, and it is connected to the series of words of the ancient ages. The style of speech of Najmiddin Razi is the style of preachers and assembly speakers of the sixth and seventh centuries (twelfth and thirteenth centuries) and from the point of view of the design of the text and the type of argument, it is similar to the works of Mansour Ibadi, Majlisi Shahristoni, "Fihi mo Fihi" by Mavlana and "Maarif" by Bahouvalad. This style is mixed more and more with the taste of Sufism and based on the works of the famous period of that century and has created a special school, as well as the style of the writer's speech with the works of poets and writers after him has already been embodied in several separate studies, the status of this unique work in Persian and Tajik literature is clearly visible.

KEY WORDS

fMirsad-ul-Ibad, Najmiddin Razi, Sufism, comparison, artistic arts

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